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Copyright Office Practice and Procedure Manual (2018), Cinematograph Films: what a film is, when it is published, NOCs and agreements from the right-holders, the Statement of Particulars, and author, owner and publisher.

Every recorded work with moving visuals counts as a cinematograph film. The application needs Form XIV and the Statement of Particulars, two copies (one if published), a power of...

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Last updated: October 2026Verified against: Government sources

For films the Office looks closely at two things: whether the recording really is a cinematograph film, and whether everyone who contributed has agreed to the applicant holding the rights. The Cinematograph Films Manual spends its Parts 2 and 3 on both. The definition is in section 2 of the Act, explained in our post on section 2, Part 1.

Status. The Manual was published by the Copyright Office in 2018 after public comments on a draft. It is the Copyright Office's guidance and does not have the force of law; the Copyright Act, 1957 and the Copyright Rules, 2013 as now in force prevail. The Office may revise its practice, so check the current position on copyright.gov.in.

What the Manual counts as a film

A cinematograph film is any work of visual recording, including accompanying sound, and includes video films (section 2(f)). "Visual recording" is recording of moving images in any medium, including electronic storage (section 2(xxa)). The Manual concludes that every recorded work with moving images is a film, and that includes videos, short films, movies, animated films, documentaries, video-game recordings, animations, and recordings of dance, choreography or lectures. Stills and drawings become a film when recorded as moving images. A script is a different matter, taken up in our article on commonly observed issues. The Manual states the term as 60 years from the year after first publication; our post on sections 26 to 29 covers it. If you want the filing done for you, see our copyright registration service.

What the application needs

The Manual's list: Form XIV, Statement of Particulars, two copies of the work (one if published), a power of attorney if filed by an advocate or anyone other than the applicant, a NOC or agreement from the persons involved in the creation (not needed for a sole creator, who files an affidavit), and a NOC or agreement from the publisher if the publisher is not the applicant. Form XIV and the Statement are signed by the applicant, as rule 70(3) provides. The Statement of Further Particulars is not necessary for films.

The fee is INR 5,000 per work in the Manual, which matches the film head in our post on rule 83 and the Second Schedule as notified in 2013; check the current Schedule. A separate application and fee apply to each work, and the Manual says one recorded video is one work; several videos on one disc or drive are several works.

The Formality Check and a minimum thirty-day waiting period, tied to rule 70(9) and (10), work as in every other Manual.

When a film is published

Publication means making a work available to the public by issue of copies or by communicating it to the public (section 3, and section 2(ff) for communication). The Manual's examples include showing the film through cable TV, DTH channels or online video platforms; releasing it on a CD, DVD, flash drive or other storage; and releasing it in cinema halls even if the hall stays empty. Our post on publication gives the section. This decides how Columns 8 to 10 are filled.

NOCs and agreements

A NOC has no prescribed format but must say four things: the author is the creator of the film; the author knows that the application is being made in the applicant's name; the author has no objection; and the author has received full and final consideration, if any, for his services. It goes in original or notarised copy with the author's details and signature.

An agreement is a section 19 assignment or licence. It should show the work, the rights assigned, the duration and territory (neither mandatory) and the royalty or consideration payable to the author or his heirs, and carry all parties' names and signatures. An assignment must be in writing and signed by the assignor or his authorised agent. "Various right-holders" means lyricists, music directors, composers, script writers, performers, singers, dancers, actors and others, each with rights to the extent of contribution. Our post on NOCs from publishers and producers gives the wider guide.

The three columns that get extra attention

For films and sound recordings, the Manual picks out Columns 2, 7 and 11. Our table of the scenarios it describes:

ScenarioColumn 2Column 3 and 7Documents
The original producing company appliesThat companyAuthor or owner; original producer as author in Col 7NOCs or agreements from the right-holders
A second producing company takes an assignment and appliesThe assigneeInterest "owner"; the original producer (assignor) stays the author in Col 7Agreements with right-holders and between the two companies
An individual who created the work appliesIndividualSame person in Cols 2, 7 and 11Affidavit of sole creation
An individual applies but someone else made the workIndividualInterest "owner"; creator's details in Col 7NOC or agreement from the creator

Column 11 lists the persons who hold the various rights and the extent of each, with particulars of assignments or licences. If the right-holders have assigned their rights to the applicant, the applicant may show his own particulars, or say the entry is the same as Column 2. If the publisher differs from the author or owner, the publisher goes in Columns 9 and 10 and a NOC or agreement from the publisher in favour of the author or owner is filed.

Author, owner and publisher

The producer, the person who takes the initiative and responsibility for making the work (section 2(uu)), is the author of a film. The owner is the person who owns, or by agreement is entitled to own, the copyright. The publisher makes the work available to the public. A solo creator who publishes is author, owner and publisher unless an agreement says otherwise.

A worked example

Lakshmi Pictures, a regional producer, assigns all rights in its documentary to Ganga Studios in writing. Ganga Studios applies as owner in Column 3. In Column 7, the Statement names Lakshmi Pictures, because the assignor remains the author. The application includes the Lakshmi–Ganga agreement and the agreements with the director, composer and narrator. An examiner who sees Ganga Studios in Column 7 would write to ask for the correction and the missing agreements.

Need help with a film registration?

If you are assembling NOCs and agreements for a film, a series or an animated work, we can prepare the Statement and the supporting papers through our copyright registration service.

Key takeaways

  • Every recorded moving-image work is a film in the Manual's view.
  • The producer is the author, and the Statement must show the original producer in Column 7.
  • Every contributor needs a NOC or agreement unless the applicant is the sole creator.
  • No Statement of Further Particulars is needed for films.
  • One recorded video is one work, with its own application and fee.

Read next

Disclaimer: Based on the Practice and Procedure Manuals published by the Copyright Office in 2018 for literary, artistic, musical, cinematograph film and sound recording works, as consulted on 4 October 2026. The manuals are guidance and do not have the force of law; the Copyright Act, 1957 and the Copyright Rules, 2013 as now in force prevail, and current fees, forms and practice should be checked on copyright.gov.in. This article is general information, not legal advice; check the official text before acting.

Quick recapKey facts & short answers

Key Facts About Copyright

  • Applies in: All states across India, under the relevant central law.
  • Mode: Mostly online via the official government portal.
  • Typical timeline: Ranges from a few days to a few weeks depending on the case.
  • Non-compliance: May attract penalties, interest or late fees.
  • Expert help: TaxClue completes the entire process end to end for you.

Is a video-game recording a film?

Yes. The Manual says recordings of video games or animations are moving images and so are films.

Does a lecture recording count?

Yes; the Manual includes recordings of classroom or public lectures and dance performances.

Record who created the work and under what terms; ownership disputes start where that is missing.

— TaxClue IP Desk

Copyright: a key compliance topic in Indian tax and corporate law that businesses and individuals must understand to remain compliant.

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Disclaimer: This article is for general informational purposes only and does not constitute professional tax, legal or financial advice. Laws, rates and due dates change and can vary by individual case — always verify with the relevant government source (e.g. mca.gov.in, incometax.gov.in) or consult a qualified professional before acting. TaxClue accepts no liability for decisions taken based on this content.

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Questions, answered

Short, direct answers to the 6 questions readers ask most on this topic.

Yes. The Manual says recordings of video games or animations are moving images and so are films.

Yes; the Manual includes recordings of classroom or public lectures and dance performances.

No, but it must make the four statements the Manual lists.

The original producer remains the author in Column 7; the assignee is the owner in Column 3.

Yes, as the Manual says section 19 requires the amount of royalty or other consideration to be specified.

No, for cinematograph films it is not necessary.